John Taylor 

 Will Duke 

 Scott Moseley 

 Priscilla McLain 

 Eliza Hyatt 

 Emily Lauren 

 Steve Taylor 

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The Foo Fighters’ influence on music mastering

By The MASTERING Team, on February 22nd, 2012

It’s an organic, come-as-you-are approach that’s defined the Foo Fighters’ sound, and no doubt other bands are now more likely to drift in that direction. We’re not sure every band can pull off the kind of magic the Foo Fighters can in a garage.Contact us if you want some help with your sound …or if you can’t afford to have all that awesome gear in your garage.

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It’s your music. Your vision. Your sound.

By The MASTERING Team, on February 18th, 2012

At SoundOps, we understand how hard you work to create your own unique sound, and we believe you should have a say in how the finished product turns out. That’s why we created multiMASTERING. With multiMASTERING you have more input, more access, more control, more interaction, and more options.

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Do you really need a mastering studio?

By The MASTERING Team, on February 9th, 2012

“Someone who is creatively more detached from the material can give you a more objective view and space for reflection — for example do you want the vocal to be very in the foreground or more submerged in the mix?” A mastering studio will have all the technology you need to give voice to your best music.

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Is CD mastering different than for vinyl?

By The MASTERING Team, on February 2nd, 2012

Is CD mastering different than for vinyl? The short answer is yes. A needle needs more room with the louder the program is an interesting point, something that we don’t need to worry about with mastering for a CD. Hard sibilance, loud ride cymbals, wide bass, a resonant frequency around 1kHz – these factors can all cause the needle to jump out of its groove. Avoiding that is true craft. It’s an art.

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