DIY Training If you want to make a bigger buzz (and more money) without a label, check out LABEL 2.0!
 
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We get questions from young artists and producers who are trying to prepare their mixes for mastering. Sometimes, they want to know what they can do to emulate the effects of high quality mastering without actually having to spend the money. Either way, we like to take time out and help, because we remember what [...]
The following studio story comes from our friend, Scott Haskin. We worked together for the first time this year, and have thoroughly enjoyed his music and his attitude.
-The Studio Team
My experience with SoundOps was amazing! I was impressed with the professionalism, the quick turn around time and the quality of the mastering of my music. [...]
Will was on a conference call with Greg Rollett the other day talking to Label 2.0 members about maintaining audio quality throughout the recording process, and the importance of mastering for independent artists.
We almost didn’t share this for two reasons…
The first is that the sound quality from recorded phone calls is notoriously bad (and this [...]
I just ran across the JamHub. This nifty little guy is supposed to make it possible for bands to jam without disturbing their neighbors. Unless you’ve got electronic drums, you’ve probably still got a problem, but I think the JamHub is valuable for a different reason entirely…
As a part of The Studio Team here @ [...]
Hey gang; Will here. Just got off the line with Bob Harvey who runs musicmastering.org. If you haven’t seen his website, check it out. It’s a young site, but it’s shaping up to be a real resource for artists and producers who want to learn more about the practical (applicable) world of audio mastering.
Whether you [...]
7 steps 2 a better master
We wanted to provide a simple checklist for you guys and girls out there who are getting ready to send your songs to SoundOps (or any other mastering studio) for professional mastering. And for those of you who’ve been doing doing your own recording, there are some easy steps you [...]
We love audio mastering - it’s what we do, but there’s a big problem…
Most people think (especially mastering engineers) that all mastering does is affect the audio itself.
It’s a lot more than that. When a band gets their CD mastered, they give themselves a better chance to actually be heard amid the ever-increasing competition of [...]
Because I’ve been playing drums even longer than I’ve been mastering, I’m really picky about the drum sound on my own recordings, and I want to share with you how you can mix your drum tracks with mastering in mind. If you’re in the studio right now, or if you do your own recording, this [...]
Based on how musicians spend money, most bands care about their music in this order…
Gear ( $$$$$ )
Playing Out ( $$$$ )
Recording ( $$$ )
Distribution ( $$ )
Marketing ( $ )
However, based on how musicians who make money with their music spend money, most successful bands have different priorities. Well, the priorities themselves are the [...]
Video post from Will @ SoundOps about 3rd-Party Mastering, and the disadvantages of letting your recording engineer (or the guy working on your mix) also master your tracks. Recording, Mixing, and Mastering require different gear, different skills, and - believe it or not - different ears.
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